Loft 3 Gallery space in Harare (image - web) In just a few years since its establishment, Loft 3 Gallery, has emerged as an increasingly visible participant in the international art market. Its latest appearance at Art Market Budapest in Hungary, taking place from 15 to 18 October 2026, marks another significant milestone in the gallery's ambitious international expansion. Led by founder and director Peter Morrisby, Loft 3 Gallery presenting a selection of artists associated

by Richard Mudariki Installation shot - Wycliffe Mundopa's Ritual (image courtesy of Space Un) Wycliffe Mundopa’s Ritual at space Un, Tokyo, follows his June 2026 solo exhibition Hunters in the Garden at First Floor Gallery Harare, extending a distinctly Harare-centred visual language into one of Asia’s most sophisticated contemporary art environments. There is something significant about encountering Wycliffe Mundopa’s paintings in Tokyo only a few months after his presentat

Julio Rizhi installation shot - Kwatiri Kubva Nekwatiri Kuenda (Where We Are Coming From and Where We Are Going) at Simchowitz ( image courtesy of Simchowitz website) by artweb Zimbabwean artist Julio Rizhi will present a new solo exhibition, Kwatiri Kubva Nekwatiri Kuenda (Where We Are Coming From and Where We Are Going), at Hill House in Pasadena, California, opening on 11 October 2026. Presented by Simchowitz, the exhibition brings together 22 works made between 2020 and 2

by Richard Mudariki Installtion shot - Wallen Mapondera solo exhibition at Mitterrand Gallery (image courtesy of Mitterrand Gallery website) At Mitterrand Gallery in Paris, Wallen Mapondera turns a deeply personal encounter with state power into a broader meditation on legality, responsibility and the human consequences of bureaucratic decisions. There is something deliberately uncomfortable about the question at the centre of Mapondera’s latest exhibition: How Do You Even Sl

by Richard Mudariki GRESHAM TAPIWA NYAUDE (2026) Down the Ladder, Oil and charcoal on canvas (image courtesy of Vanguard Gallery I have known Gresham Tapiwa Nyaude for more than a decade. I have watched his career develop from the early days of his practice in Harare, and what has always struck me about Nyaude is not simply the recognisability of his visual language, but his consistency. He has remained steadfast in his commitment to painting, to his subject matter and, impor